Top Ten Tuesday is a weekly feature hosted by The Broke and the Bookish. This week’s topic is Cover Theme Freebie, meaning your post can focus on anything cover-related. I chose to highlight books whose covers depict rides from carnivals, boardwalks, midways and amusement parks. Enjoy!
Top Ten Tuesday is a weekly feature hosted by The Broke and the Bookish. This week’s topic is Top Ten Things That Will Make Me Instantly Want To Read A Book.
1. Robin Hood:
I am Robin Hood OBSESSED and will read any book I can find about him. I blame my obsession on Disney’s 1973 Robin Hood movie; its hero was my first crush, in spite of him being a cartoon fox. #sorrynotsorry
2. Fairy tale retellings:
I fell in love with reimagined fairy stories as a kid and am still entranced by them after all these years. In fact, I dedicated a whole month of blog posts to fairy tale retellings back in 2015.
3. Artificial intelligence:
If a book deals with androids or robots, I’m immediately sold on it. I love novels that explore the possibilities of artificial intelligence and raise questions about what it means to be human, have a soul, etc. If a robot is learning to love or is exhibiting a somewhat-troubling capacity for independent thought, I want to read about it.
4. Phantom of the Opera retellings:
POTR is one of favorite musicals (though I confess I wasn’t a big fan of the original novel), and I’m always on the lookout for a new take on the story. I haven’t found many that work for me so far, but I remain optimistic!
I adore clever schemers and rogues, as evidenced by this April Fool’s Day post. I’m especially tickled when those schemers happen to be thieves. More brilliant heists and sleights of hand, please!
6. Ancient Greece/Rome:
I’ve been gaga over books with this setting ever since my Social Studies and Language Arts teachers taught a unit on Greek culture and mythology in seventh grade. Give me books about gladiators, gods and goddesses, and the Trojan War any day! Bonus points if Achilles figures into the storyline!
7. Arthurian legend:
When not otherwise dreaming of being a mermaid or a pirate or a ballerina, Young Angela wanted to grow up to be a knight one day. Now that I’m older and wiser, I realize there’s not much call for knights errant anymore. Guess I’ll just have to become a wizard like Merlin instead.
My dad’s family originally comes from Scotland, and I’m endlessly fascinated by the culture, the history, the landscape…everything. For those of you who are also interested in all things Scottish, I did a post about books set in Scotland as part of my team’s contribution to the Book Blogger Creativity Project last year.
In real life I’m a little leery of large bodies of water, yet I love stories in which the ocean or sea is an important part of the plot or setting. There’s something about the wildness of the sea, the call of the ocean, that really appeals to me in fiction.
If a book’s synopsis mentions even a passing reference to a prince, I’m likely going to read said book. Princes in disguise, princes who need to be protected, bastard princes, exiled princes who are trying to reclaim their thrones…doesn’t matter. I want them all.
What topics/key words/themes make you immediately want to read a book? Let me know in the comments below!
Top Ten Tuesday is a weekly feature hosted by The Broke and the Bookish. This week’s topic is Top Ten Books On My Spring TBR.
1. Given to the Sea by Mindy McGinnis: I read the first few chapters via Penguin’s First to Read program and am dying to find out what happens in the rest of the book. Thankfully there’s less than a month until its release!
2. The Spirit Thief by Rachel Aaron: I finally bought a copy of this purportedly hysterical tale about a smooth-talking wizard/thief, which has been on my TBR for a while.
3. The Witch of Painted Sorrow by M.J. Rose: One of my best friends read this book and loved it, so I picked up a copy from the local library. I don’t reach much adult fiction, but I’ve heard great things about this author and am excited to give her a shot.
5. The Valiant by Lesley Livingston: Female. Gladiators. Need I say more?
6. A Study in Charlotte by Brittany Cavallaro: I have no recollection of buying this modern-day Watson/Holmes story, but I recently found it amongst the other e-books in my Kindle Library, which was a weird but pleasant surprise.
7. Lord of Shadows by Cassandra Clare: So far I’m not loving The Dark Artifices series quite as much as the others Clare’s written, but I’m still looking forward to seeing how everything plays out in Lord of Shadows.
8. Suzanne’s Diary for Nicholas by James Patterson: My mom’s convinced me to join her book club (she doesn’t actually read the books, she’s just in it for the wine and board games, no lie), and this is the book they’ve chosen for the next meeting.
9. The Secret History of the Pink Carnation by Cassandra Clare: My coworker lent this to me over a year ago, which means I should probably get around to reading it so I can finally get it back to her. Oops.
10. The Nethergrim by Matthew Jobin: I received a review copy of this middle-grade fantasy from Puffin Books and have high hopes for it, as the novel’s been touted as an “epic” read for The Chronicles of Narnia fans.
What books do you plan to read this spring? Let me know in the comments below!
I received a free copy of this novel from the publisher via Netgalley, in exchange for an honest review.
As a kid, I watched a lot of Disney movies, and although I enjoyed the heroes and princesses, the characters that interested me the most were the villains. I don’t know what this says about me as a person, but I found Ursula, Scar, Hades, and the like far more compelling than their heroic counterparts.
Given my soft spot for fictional antagonists, it’s no surprise that Never Never pleased me as much as it did. It’s the origin story – or, I suppose, the entire life story – of Captain James Hook, Peter Pan’s arch-nemesis.
Much as I loved this book, the two of us didn’t initially get off to an auspicious start. Never Never is very slow at first, beginning with 12-year-old James’ family life in London and detailing how he meets Peter and is tricked into accompanying him to Neverland. The first several chapters are a slog, and it took me ages to get through the entire novel because I kept taking long breaks and having to go back and reread from the beginning. Once I finally made it to the end of the first section, though, I was completely hooked. (Pun intended! 🙂 )
I should warn you in advance: Never Never isn’t exactly what you’d consider an uplifting book. In fact, I’d go so far as to call it grim. Initially lured to Neverland with a promise that he can simply visit “on holiday,” James is dismayed when he realizes that he’s trapped in Peter’s fantasy world and can never return home to his family. Devastated, James joins the ranks of Lost Boys, where he remains until he commits Neverland’s gravest sin – beginning to grow up. Cast out by Pan, James soon realizes that options are limited in Neverland; if you aren’t with Peter Pan, you can only be against him.
“You were selected. So you could come and go from Neverland as you pleased, and so could your dreams…But the ones Peter likes, they stay here forever.”
Shrum does a fantastic job of imbuing James’ story with an air of wistfulness and loss. Lost family, lost home, lost friends, lost innocence…James has been robbed of just about everything good in his life, and the tragic thing is that he knows it. Peter and his Lost Boys wear figurative blinders; they’re childish and self-absorbed and don’t recognize what they’re missing. Nor are they troubled by conscience. In fact, they literally FORGET people and truths that are inconvenient to them and are therefore able to go on happily living in their little fantasy world. In contrast, James remembers everything that happens to him. He’s the only self-aware, memory-burdened person in Pan’s twisted world, and it’s a lonely and terrible thing.
What’s ironic about James is that he has all the makings of a hero…if only this were another world, another story. It’s Peter Pan’s treachery, and the madness that it drives James to, that makes him the villain in Pan’s Neverland. I couldn’t help but sympathize with James, even as I watched grief and bitterness drive him farther and farther down a path that I couldn’t condone. He transforms from James, a bright and noble boy, to Hook, a debauched, arrogant, ruthless pirate, and though it’s fascinating to watch, it’s also painful. He becomes less and less recognizable as he loses himself in revenge, guilt, and rage.
“‘Tell me, pirate,’ she said after he’d been silent for a while, ‘how am I to change what Neverland has willed me to be? You clearly couldn’t.’
Hook recoiled, ripped from his musings, struck by her words. ‘What did you say?’ […]
‘I’m saying that you were not a scoundrel when you came here. You were not a pirate. But it was your destiny, wasn’t it?’”
It’s not just James’ transformation into Captain Hook that makes Never Never so fascinating; it’s also Peter Pan himself. I’ve got to give it to Shrum – in Peter, she’s written a supremely infuriating, hateful little wretch of a character. He’s selfish, irresponsible, and cruel, and I found myself despising him almost as fiercely as James did. The thing about Peter, though, is that he has a strange allure. Neverland is his creation, having been manifested from Peter’s dreams. As a result, everything in his world is compulsively attuned to him. The land itself responds to his moods, which is scary given see how volatile he can be. It makes Neverland a place that is both wondrous and ominous, lovely and sinister.
“It was too beautiful to be real. But, everything in Neverland seemed too something to be real. Too beautiful, too horrible, too fantastic, too savage.”
Peter’s influence over Neverland and its inhabitants makes for great tension in the story. Think about it – what hope does James, Peter Pan’s sworn enemy, have for happiness in a world literally designed for and by Peter Pan? The odds are stacked against him. Even James himself feels the pull of Peter’s magnetism: “[S]omehow, in the darkest depths of him, as Peter was trying to murder him, a piece of James wanted to give him whatever it was that he wanted.”
Between James Hook and Peter Pan, Never Never has everything you need for a captivating story about the rise and fall of a villain. The only thing that might be considered missing is an element of hope and cheer, but I thought Never Never was better without it. The book is haunting and tragic, but that’s the kind of villain origin story that calls to me the most. If you have similar tastes, Never Never is definitely for you.
I received a free copy of this novel from the publisher via Netgalley in exchange for an honest review.
I am more than a little irritated right now.
If you’ve read my review of Courvalian: The Resistance by Benjamin Reed, you know how enraged I get when I feel like I’ve been cheated by a book’s ending. This doesn’t happen often, but when it does it’s enough to send me over the edge. Hence, the single star for The Bone Witch.
The book’s pacing is terrible, the protagonist has about as much personality as a dead fish, and the plot is buried under a mountain of tedious and unnecessary details. And yet, Chupeco doles out just enough promising tidbits to make you think you’re being set up for something epic to eventually happen. Even as I grew increasingly bored and impatient, I forced myself to keep reading because I just KNEW there had to be payoff in the end.
I was wrong. This book is just a giant tease.
The novel is presented as a tale told to a traveling bard by a 17-year-old girl named Tea. Tea is a bone witch, capable of commanding the dead. Once a rising star in the world of asha (women who can wield magic and are highly sought-after members of society), Tea has fallen from grace and is living in exile. At the bard’s request, Tea agrees to share her story and explain how she ended up where she currently is. But here’s the thing – she never actually gets around to revealing what happened and why she’s been exiled.
The book alternates between the present, where the bard watches Tea ostensibly prepare for some kind of battle, and the past, which shows Tea’s discovery of her powers and her induction into the world of asha. Whereas past Tea is relatively pleasant and naïve, present-day Tea is bitter, sad, and set on revenge. You’d expect to learn, over the course of the book, what made her this way, what journey she took to get from Point A to Point B. Instead, you just get endlessly dull descriptions of Tea’s magical training and the duties of the asha. There are no actual answers. The tragic love story that present-day Tea keeps alluding to? It never transpires. The big event that ostensibly leads to Tea cutting ties with everyone she’s ever cared about? You never see it happen.
I’m not kidding – you get zero answers. At the end it’s basically like, “Now that you know everything you could possibly need to know about asha clothing and parties and the countries that make up this fictional kingdom, the book is going to end. Hope you don’t mind waiting until book two to actually learn something worthwhile!”
What a complete and utter cop-out. I am a flaming ball of rage.
I might have been mildly appeased if the book at least had strong characterization and writing, but that isn’t the case. The only characters who are remotely interesting get very little page time, and the ones we see the most of – Tea and her resurrected brother, Fox – are insipid. The writing itself is just meh. This could have been because I was reading an ARC, but certain phrases were confusing and awkward, and I felt like a lot of sentences could’ve been reworded.
One last frustration, and then I’ll give it a rest: the world-building didn’t do it for me. There are so many details, so many kingdoms and cultures and clothes and politics, that it’s just too much to take in. It’s evident that Chupeco invested a lot of time and care into her world and its inhabitants, but I couldn’t bring myself to care about any of it.
I was especially bewildered by the asha, who are essentially fantasy-world versions of Japanese geisha. I couldn’t wrap my head around their purpose. These women have magical abilities and are trained to be bad-ass fighters, but 95% of the time all you see them do is paint their faces, arrange flowers, play the sitar, and attend parties. They are highly popular and are paid to attend dinners and soirees, though I’m not really sure why. They’re basically just fashionable, glorified party guests, who happen to be able to work magic. Again, I don’t really get it. All I know is that if I have to read one more description of an asha’s elaborate hairpins or decorative waist wrap, I’m going to expire of boredom.