If Second Star weren’t a retelling of Peter Pan, my rating of it would be entirely different. There are some pretty big detractors – frustrating romance, a second half that feels entirely off the rails – that would result in a low rating if this were your average book. Luckily for Sheinmel, her creative reimagining of Peter Pan enchanted me enough to appease the part of me that was irritated by the questionable parts of this story.
Wendy Darling is on a mission to find her brothers, 16-year-old surfers who ran away from home to chase the waves. Nine months later, they still haven’t returned, and the police and Wendy’s parents have given up the search, convinced that the boys have perished in a surfing accident. Wendy isn’t so sure, and as soon as she graduates she takes off in pursuit of her brothers, determined to find them and bring them home.
Wendy’s hunt leads her to Kensington Beach, where she meets a scruffy band of surfers – our Lost Boys in this retelling – who live in an abandoned mansion and spend their days on the water. Wendy finds herself enticed by the boys’ carefree lifestyle, drawn into their little world of salt and sun and sand. She’s especially beguiled by the group’s leader, Pete, who teaches her to surf and whose kisses make her feel like someone new, someone whose family and world haven’t fallen apart.
As delighted as I was by the Lost Boys, I was even more impressed by Sheinmel’s clever reimagining of Captain Hook. The role of the villain is played by Jas, a drug dealer who rules the opposite side of Pete’s beach. (What happens to people who take drugs? They get hooked. Get it? Huh? Like I said, clever!!) Wendy’s investigation reveals that Jas may have a hand in her brothers’ disappearance, and when she goes to confront him she soon realizes he’s an enticing as he is dangerous.
Jas is both a positive and a negative of this book for me. On the plus side, he has this dark pull that really appealed to me. He’s smooth and sexy and magnetic, and even though he’s a “bad guy” he’s charming and educated and polite, which adds great complexity.
The downside is that all this sex appeal makes Wendy fall for him, which I didn’t think was believable. It’s one thing to be attracted to him – I certainly was – and to accept his help in finding her brothers. It’s another thing entirely to trust him and fall in love with him. He is a drug dealer, Wendy! He ruins people’s lives and is fully aware of this fact! The stuff he does is unconscionable, and he shows no signs of changing his behavior! Yet you’re into him? Please.
Something else that detracted from the book’s appeal is the question of whether Wendy’s liaisons with Pete, Jas, and the like are real or a fantasy. I was so invested in the world of Kensington that I resented being distracted with questions like, “Is this a hallucination? Does anyone else remember ever seeing Pete? Or Jas?” It seemed out of nowhere and was the number one reason I didn’t award Second Star a higher rating.
Despite these qualms, I still really liked the parallels to J.M. Barrie’s Peter Pan stories. I enjoyed seeing how Sheinmel wove elements from the book into her adaptation. A lot of the references were subtle, such as Jas stopping at a bar called The Jolly Roger, a description comparing Pete’s laugh to the crow of a bird, and Pete encouraging Wendy to think of something happy to help distract her while she’s trying to surf (which she says makes her feel like she’s flying). It’s a very smart and unique retelling.